9 undigested bomplist messages

1.

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Date: Sat, 11 Oct 2008 04:59:59 -0700
From: "Its Boss 9" <itsboss9@aol.com>
Subject: [bomp] Luxuriamusic.com is archived now / Paisley
Underground
  favorites
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Blair,

I gotta say that, during the years The Paisley Underground came about here
in Los Angeles, I was going through a real hermit period.  Imagine this, my
family, friends... everybody I knew... used to tell me back in the '70s...
"you go to too many concerts".	I'd been hearing this for so many years by
the time I was 19 (!) that I thought, "oh, o.k., then let's see if I could
live without it, then".  So I kind of went on a 5 year sabbatical beginning
in 1980, and really pretty much missed "The Paisley Underground" thought I
did have some friends who were into it, and was aware of it.  Got to hear a
few records of it through them, I guess, but nothing much was sticking to
me between 1980 and 1985 other than finding bootleg copies of Shindig,
Where The Action Is, Beat Club, Beat Beat Beat etc.  That was my
"compensatory factor" for not going out.  Of course, when The Cavern
happened in 1985, something about it got me off my ass, and back into the
clubs.	Ten seconds later I was producing "It's Happening," so you can see
how that came together.  Part of being a hermit, of course, was the fact
that I was going to college then as well, so the television production
classes I was taking gave me the ability to shoot The Tell Tale Hearts,
Unclaimed, The Nashville Ramblers etc. for the show.  It didn't hurt that
my teacher was Joe Keene, who directed "Hollywood a Go Go," which, along
with "Groovy" was my favorite television show back in the '60s.

The friends I was talking about were Darian Sahanaja and Nick Walusco, who
later formed the core of The Wondermints.  They were just a couple of real
shy kids then, but very knowledgeable about all kinds of '60s sounds.  They
were really big on The Bangs/The Bangles actually, but played me other
bands too.  And I bought The Long Ryders "Native Sons" just outta wanting
to hear Gene Clark sing on "Ivory Tower," Byrds freak that I am.  But that
is why this Paisley Underground presentation Alejandro Cohen put on at
L.A.C.E. Gallery became a good idea for a radio show, because, at the very
least, I can tape the records he brings in when he's on the show, and find
out more about what I would have liked, had I not stopped going out between
'80-'85. The consolation, also, was that during 1976-1979 is I did get to
see the birth of the L.A. Punk Rock scene, from The Berlin Brats and The
Quick straight through to all those bands that played The Masque Benefit,
which now you can view and read about in Brendan Mullen's books "We Got the
Neutron Bomb" and "The Masque". 

I may have been the only teenager in town, though, who would go see, say,
The Screamers at Whisky a Go Go, then the next week go see someone like
Chris Hillman or Richie Furay at The Roxy... the price for tickets was
pretty much identical for either club... and though both are still open,
neither club is anything like they were back in the late '70s, that's for
damn sure.  The Roxy was clean and somewhat upscale, with a nice menu and
of course a very '70s record industry vibe, cloaked of course in that
California Country Rock sound (Neil Young played The Roxy's opening night).
 Whisky a Go Go still had it's original '60s flavor, with the booths in the
back and those French motif mirrors and such... tables elevated above the
dance floor, I mean, it was basically LEFT OVER from the '60s in those
days, and they didn't book bands who sang about hating "niggers and
faggots" like Guns and Roses.  When that song "One in A Million" came out,
I moved away from Los Angeles for the very first time, because the city
itself had become like that, not the liberal bastion it had been during the
time that I documented in my book "Riot on Sunset Strip".  Whisky a Go Go
basically purged any and all punk rock, or anything with any diversity, and
went for a strict Metal format, pay to play, no less.  So that's why I
maintain zero tolerance for hessians, because its practicioners would go
around and "hunt" for punk rockers to jump, and beat the hell out of,
physically.  Those people wanted punk, and anything connected to it, out of
Hollywood for good, and they succeeded.  Yes, it was the exact polar
opposite of the '60s on Sunset Strip, and though the hessians loved their
sex, drugs and so-called "rock 'n' roll," most of them that I met also
loved the right wing politics of their white-flight San Fernando Valley
parents, and were basically pro-Reagan/Bush if the subject of politics ever
came up.  Just like Heather Locklear and that hessian she married, dig?

A far cry from The Artists' Tower of Protest in '66.

So yeah, The Paisly Underground died under the weight of the '80s record
industry, and the pressure for a young band doing anything diverse in the
enviroment here during the 1980s was too much, and their music got
compromised by the end to a charachterless average.  But this guy,
Alejandro, comes to it not knowing anything about The Paisley Underground
until a few years ago, then he hears the best of what came out of it with
really fresh ears.  So I'm looking forward to the radio show Sunday. 
(Luxuriamusic.com, 10 a.m. California time, 1 p.m. New York, 6 p.m.
London).

Greg Shaw told me that he felt that the record industry in the 1980s was
also in league with the corporate culture of the time, and reflected far
too much of the right wing deal.  Hell, The Record Industry kissed Reagan's
ass to get an embargo on imports, that way, they wouldn't have to compete
with all the punk and new wave coming from Europe that was putting a dent
in their domestic sales.  I'm not quoting Greg Shaw here, but he did say
something like, the forces of that kind of politics, there was no way
anybody upstairs in the record biz, or the government, wanted to see a '60s
psychedelic revival happen, despite how many kids were actually into it. 
They weren't going to put their advertising dollars into promoting those
ethos... the last time that would happen would be with The MC5.  In fact,
when I had dinner with all the remaining beatniks in San Francisco
(something we did during the release of Holly George Warren's "Book of the
Beats"), they were explaining to me how what happened with The MC5, John
Sinclair and all that scared Columbia Records so much, that they went out
instead, afterward, to find a "de-politicized Bob Dylan" and that's when
they got behind Bruce Springsteen.  So that's the root of it.  But for me,
it was none other than George Harrison who summed it all up best with a
song he did in the early '80s called "Unconsciousness Rules".

And, a very candid (1982, I believe) interview he did for "Good Morning
Australia," if you can find that somewhere.  There it was, the Beatles'
magic, still flickering somehow in my logic... those guys managed to
consolidate what people were feeling, and express it in a public forum, and
that's why I think so many people gravitated to them even as far back as
1963.  George's scene in the advertising office in "A Hard Day's Night" is
exactly the same kind of objectivity to corporate fucks shoving "the right
wing" down your throat.  Difference was, The Beatles trumped all that shit
in the '60s.  

Domenic Priore


2.

From owner-bomp@router.xnet2.com Mon Oct 13 07:56:36 2008
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Date: Mon, 13 Oct 2008 05:56:10 -0700 (PDT)
From: AndreaH <zelia_and_george@yahoo.com>
Subject: [bomp] Food on the LES
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Hey Count Brockula,

I don't think you'll be in danger of starving. :)  Unless things have
changed
in the past year, that area is still pretty filthy with food, including
all-night pizza places.  One of my favorite restaurants in the area is
Village
Mingala, a Burmese place on E. 7th between 2nd and 3rd.  It's right near
the
hat shop called Village Scandal.  Veneiro's is on E. 11th, if you want some
good pastry and espresso, or if you don't want to wait, DiRoberti's is
around
the corner (it's a bit cheaper, too, IIRC).

Have fun!  We might get a chance to swing into the city in a couple of
weeks,
when we go to Chiller in Parsippany.

--Andrea



--- On Thu, 10/9/08, bomp-digest <owner-bomp-digest@xnet2.com> wrote:

Date: Thu, 9 Oct 2008 01:14:00 -0400
From: "Count Brockula" <moptop66@rogers.com>
Subject: [bomp] Food on the LES

It's been a while since I've been to New York and even longer since I
lived
there (I've been quite horrified to see what's happened to my old
neighborhood - I lived around 1st and St Mark's). We rented an apt (thanks
Todd for the head's up on Craigslist rentals) at 9th and 2nd and outside of

a trip over to Maxwell's, we're pretty much not going to be leaving the

neighborhood. Since it's been so long, I have no idea what there is food
wise anymore. Any suggestions are appreciated but pizza is the primary
need.
I know what used to be there but not what's there now. If anyone has
suggestions of places outside of the LES, please keep 'em in Manhattan- we
just won't have the time to get anywhere else.


3.

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Date: Mon, 13 Oct 2008 07:06:03 -0700 (PDT)
From: Bob Widenhofer <bwidenhofer@yahoo.com>
Subject: Re: [bomp] unexpected uncoolness
To: Refs Bomp <bomp_list_refugees@yahoogroups.com>, bomp@xnet2.com,
	Exotica List <exotica@mailman.xmission.com>,
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When I saw the URL I was hoping against hope that it was Redd Kross McD's
and
not the Corporation Deathburger Clown.
 
Mayor McCheese ruins everything...

--- On Sun, 10/12/08, Lounge Laura Taylor <queenjanefondle@yahoo.com>
wrote:

From: Lounge Laura Taylor <queenjanefondle@yahoo.com>
Subject: [bomp] unexpected uncoolness
To: "Refs Bomp" <bomp_list_refugees@yahoogroups.com>, "list bomp"
<bomp@xnet2.com>, "Exotica List"
<exotica@mailman.xmission.com>, "RP Keith"
<baskervilles@aol.com>, "Ann Eliza" <annelizamusoke@yahoo.com>,
"Bub Taylor"
<rottensun_2000@yahoo.com>
Date: Sunday, October 12, 2008, 1:06 PM

I about passed out when I saw this...
http://stereogum.com/archives/video/os-mutantes-help-mcdonalds-celebrate-th
e-
olympics_010450.html

http://www.myspace.com/surface_noise	     
http://www.myspace.com/venusin


majordomo@xnet2.com <===


4.

From owner-bomp@router.xnet2.com Mon Oct 13 10:39:43 2008
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From: "Its Boss 9" <itsboss9@aol.com>
Subject: [bomp] Re: bomp-digest V2008 #2351
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<Dylan of course was a very safe, great image type for the Columbia
brand, and a de-politicized one is what they <wished for. 

BTW, "safe" isn't the best word here, I should have said "well-established"
for the Columbia brand.

Also, mainstream media hyped Bruce Springsteen as the "future of rock 'n'
roll" during the mid-'70s and kind of stuck with him, when in fact, The
Ramones and everyone who came in their wake was more like what the future
of rock 'n' roll turned out to be... mainstream American media, radio etc.
forevermore took a condescending attitude toward this however, while
Springsteen, Petty et al were more rational and acceptable to their jobs. 
Always remember that Rolling Stone said in 1977 that punk rock was a
passing fad, and that Steve Miller was more like what would be the
direction things would be going.

Domenic Priore


5.

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Subject: Re: [bomp] Re: bomp-digest V2008 #2351
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Springsteen was the future of "rock" --the Ramones were the future of "rock
n roll."

--- On Mon, 10/13/08, Its Boss 9 <itsboss9@aol.com> wrote:

From: Its Boss 9 <itsboss9@aol.com>
Subject: [bomp] Re: bomp-digest V2008 #2351
To: bomp@router.xnet2.com
Date: Monday, October 13, 2008, 11:39 AM

<Dylan of course was a very safe, great image type for the Columbia
brand,
and a de-politicized one is what they <wished for. 

BTW, "safe" isn't the best word here, I should have said
"well-established" for the Columbia brand.

Also, mainstream media hyped Bruce Springsteen as the "future of rock
'n' roll" during the mid-'70s and kind of stuck with him, when
in fact, The Ramones and everyone who came in their wake was more like what
the
future of rock 'n' roll turned out to be... mainstream American media,
radio etc. forevermore took a condescending attitude toward this however,
while
Springsteen, Petty et al were more rational and acceptable to their jobs. 
Always remember that Rolling Stone said in 1977 that punk rock was a
passing
fad, and that Steve Miller was more like what would be the direction things
would be going.

Domenic Priore

majordomo@xnet2.com <===


6.

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Subject: [bomp] Titan: It's All Pop!
Date: Mon, 13 Oct 2008 13:29:05 -0400
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From 1978-1981 the Titan label issued only eight records, but over the
years
their tiny catalog has crawled to the top of power-pop want lists worldwide
and appeared on scads of bootleg cassettes, building a legacy to rival
L.A.s
Bomp or New Yorks Ork. Located in fly-over country, Titan was forced to
start
their own scene, import their own skinny ties, and scour Missouri for their
own talent. Their midwest AM bubblegum roots are apparent in the likes of
Gary
Charlson, the Secrets*, Arlis!, Gems, Millionaire At Midnight, the Boys,
J.P.
McClain & the Intruders, Bobby Sky, and Scott McCarl, but Titan was clearly
influenced by the glam-punk spit being hocked from the 100 Club stage.

30 years since they meekly flopped out their first 7 single, Kansas Citys
Titan Records finally returns to record bins everywhere in a deluxe
two-disc
retrospective with comprehensive 40-page booklet.

http://www.numerogroup.com/catalog_detail.php?uid=00754#


7.

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   The	Mesmerines  will  play	a  live  set and chat it up a bit on WMFO
   (http://www.  wmfo. org) on Weds. 10/15, around 9:30pm. Dial in/log in
   and see how clever these gents truly are.
   If anyone on this list has a radio show drop me a line and we can send
   out promo package.
   info@themesmerines.com
   Rev. Mark R. Robinson
   Church Of Gospel Ministry
   www.themesmerines.com


8.

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I wrote:

> <The idea of Springsteen being Columbia's stooge as a
"de-politicized Bob
Dylan" is pretty, uh, ironic considering <how Bruce nearly wrecked his
career
in the 70s by suing his then-manager to get out of a slave-labor contract.
<How much support did he get from his label then? BTW, Dylan was never
political, at least in a John Sinclair/MC5 <way.  He still isn't while
the
past two decades have seen Springsteen get about as openly political as
possible.

Its Boss 9 wrote:

> Oh, that's right, those guys who witnessed all that stuff were wrong,
and
you're right, because you reference Springsteen material from times many,
many
years after all this happened.
>
> We're not talking about the last two decades, we're talking about
something
inside Columbia Records during the very early '70s.  "Dylan" in their
sentence
of course meant the Columbia reputation of Dylan during the majority of the
'60s, not his new direction circa "Nashville Skyline" or "Blood on the
Tracks".  A lot of Dylan albums on Columbia were purchased by people who
thought of Dylan as a political avatar, whether the maestro wanted that
reputation or not, that's how Columbia perceived his market value.  By the
late '60s The MC5 had taken things "too far" in Columbia's estimation, and
people were getting scared off, at least Columbia seemed scared off.  Dylan
of
course was a very safe, great image type for the Columbia brand, and a
de-politicized one is what they wished for.  Look at how Springsteen has
always been pitched to this upscale "smart" audience that reads Time and
Newsweek (he was on the cover of both in the same week), gawd, will we ever
stop reading about
> Springsteen in the pages of The New York Times?  Long exposes about
his
moods, or whatever.  At least The L.A. Times got rid of Robert Hilburn, who
also was a part of over-rating Bruce Springsteen all these years.
>
> Nobody used the word "stooge" when applied to Springsteen, he was just
what
Columbia was looking for after all that controversy.  This argument needs a
timeline for the logic to become apparent.
>
> The Columbia/Springsteen lawsuit happened in 1975, or after that?	All
those
more political songs by Springsteen must have happened a long time later
even,
I never heard any of them on his first three albums... the last of which
came
out in '75.  And yes, I've heard all the first three Springsteen albums,
stuff
like "Kitty's Back," "Rosalita," "Blinded By the Light," Spirit in the
Night,"
and the whole Born to Run album... have no real political songs... not that
they have to be that.  They certainly weren't rockin' the boat like the MC5
or
early Dylan however you slice it.
>
> If that all ironically changed later, I understand that being of
interest,
but it has no bearing on this story the Beats told me, as it pertains to
the
time they were talking about, not the time or the music you are talking
about
(because that didn't exist yet).
>
> That said, I'm not of the typical Gagage mindset that hates Bruce
Springsteen, even (which is ironic since one of the guys in his E Street
Band
now works with Garage).  I went to see Bruce Springsteen & the E Street
Band
at the Santa Monica Civic in 1976, and brought 15 of my friends from High
School.  Later that same year I also saw the first punk rock bands in L.A.,
The Berlin Brats and The Quick, and frankly, Springsteen was touted at "the
future of rock 'n' roll" by all these poindexter types, but the other thing
is
what really happened.  Too bad it was tough for city newspapers and the
type
of glossy news magazines Dylan put down in "Don't Look Back" to embrace the
other thing.  And here we are to day, nothing has changed in that respect.
Except that John Cougar Mellencamp is waffle-iron Bruce Springsteen.
>
>

This is not an argument with Dom, who I've never known, but respect as a
published author.  It's merely a discussion.
Having established that, facts are facts:

Probably everyone on this list knows that the man who brought Bob Dylan to
Columbia's attention - John Hammond - is the John Hammond who got Bruce
Springsteen signed to the same label about a decade later.  If there was
some
New Guard at the label determined to keep any new Dylans out, Hammond
didn't
get the memo.

What everyone here also knows is that critic Jon Landau,  the 'poindexter'
who
made that famous prediction and who became Bruce's manager, was the same
Jon
Landau who produced the MC5's "Back in the USA" album.

Even during his pre-motorcycle accident days, Dylan consistently knocked
down
suggestions by fans and media that his songs were the artistic
representation
of some vague New Left dogma.  To this lifelong fan, when Bob tried to lean
in
that direction with "The Times They Are A-Changin' it was not one of his
better efforts.

Now as a confirmed skeptic of conspiracy theories, be they political or
musical, I've yet to be convinced that there was a vast, coordinated effort
to
prevent certain bands from being signed for purely ideological reasons.  No
doubt crap like that did happen, but behind the Iron Curtain in places like
Poland and the former Czech Republic (and probably East Germany), not in
the
U.S. or Britain. If anyone has hard smoking gun evidence to the contrary,
please provide a link or some documented reference other than the stoned
ramblings of certain West Coast hipsters.

Does anyone really think that if 'Back in the USA' and 'High Time' had sold
better, that the industry wouldn't have signed up an army of MC5
soundalikes?
Those records were commercial flops as were the very first punk releases
(in
the U.S.).  In other words, it was commerce, not ideological stridency,
that
doomed the '5.'

Look, we're currently in the middle of an economic catastrophe, fighting
two
wars and in less than a month will be participating in the most
consequential
national election since 1932.  Surely, the alleged machinations of record
moguls in the early 70s pales to what's happening right now.

Rick


9.

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Yes, Bob has been to my record room and speaks the truth! We've been
selling off some stuff,but the obsessive nature dictates that almost as
many rekkids keep coming in....(sigh.)
A good friend of mine, male, came up with a distinction I'd rather align
myself with....and that's "accumulator."
I actually have only spent a max of $30 on a record or CD. That's it. Of
course, I am a thrift/flea hound, so perhaps I am lucky.
But I am not a completist, nor am I so competitive that I HAVE to have it
NOW...
I have 5-thousand LPs, countless CDs and CDRs...lotsa 45s, etc...so, why
spend that much? I'll die before I hear it all again unless there are great
advances in medical technology!
Still, I'll elbow you at the next FCCing show, so watch out!


	http://www.myspace.com/surface_noise
	  http://www.myspace.com/venusin 
   





       
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